Saturday, March 6, 2010

Ibn Sensor Data Retrieval Act

The protagonist in Phillip K Dick's book Valis is a man called Horselover Fat, who receives a gift of a small clay pot, made by his friend Stephanie, on a potter's kick-wheel. Fat places enormous significance on this small pot, believing that God was asleep in it, and that when He awoke, He made Horselover know koine. Such attachment to objects is common in Shamanism, as well as in schizophrenics. And Horselover could definitely be described by either of those two terms; seeing as how he is Phillip K. Dick's alterego, a man of considerable source and vision. The small clay pot is an archetype for the clay vases that contained the Nag Hammadi library; a cache of knowledge believed to have been written by Christ himself. When these vases, or urns, were unearthed it generated the release of the plasmate, which is Christ in the form of living information. This, says PKD, is the meaning behind the story of the mustard seed, as told by Jesus, that must be buried for a time before it can bring forth new life.

In the last part, I proposed similar themes running through PKD's Valis and the 1980 movie Tron, released only a few short months before the sci-fi author's death. In Tron, the MCP is defeated when the eponymous hero throws a glowing disc into the data upload stream. This disc is representative of the Olympic throwing discus, as well as the legend of the Miller's wheel.
In the reign of Chronos, a former Golden Age, the Mill ground out peace and plenty. But according to myth there has been some great catastrophe: the mill is broken; the millstone has jumped off its peg, and fallen into the sea where it grinds bitter salt.   
From PKD's Exegesis # 35; ...As Plato discerned there is a streak of irrationality in the World Soul. 
The streak of irrationality in the World Soul is contiguous with the crack in the millstone. In 2003, scientists discovered that our solar system is actually alien to this galaxy, originating, as it does, from our nearest galactic neighbour, the Sagittarius Dwarf Galaxy. This galaxy is currently being absorbed into the Milky Way. The dwarf galaxy is mainly comprised of infrared stars, whose light lacks lustre against the bright canopy of stars in this region of space. This is the reason it has escaped detection until only  recently, despite being our nearest neighbour. The realisation that we are an alien solar system explains why the Milky Way appears at an oblique angle in the night sky; or why we traverse the plane of the galactic elliptic, instead of sitting on it like most every other star. We are now entering into a region of space where whole solar systems are, once again, raining down upon us from the dark infrared galaxy. This could be one of two entry the points for our solar system.

A few months ago, I was reading about the millstone in Tom Chetwynd's Dictionary of Sacred Myth. It was due to lateness of the hour that I found myself passing in and out of consciousness. What resulted was a hypnogogic dream state where information from my subconscious fused with Chetwynd's writing. A half remembered reference sent me in search of another entry, entitled the Ibn Sensor. The sensor operates as an axis for the wheel and is also capable of retrieving information off badly damaged or broken disks. If the Millstone of the Gods has been damaged, as it appears to have been, it would be necessary to use the Ibn Sensor to retrieve precious data from it. Such attempts have been made a total of three times in the past. One was in the Pre-Hellenistic period, or koine, a second occurred in Roman times and the last was in 1974.

What we are seeing, with the absorption of the Sagittarius Galaxy into the Milky Way, is the corrupt data of the dark infrared galaxy being transferred on to a new cosmic disc. Once we have completed our first rotation of the Milky Way, we will be saved into the long term data on the cosmic wheel. That moment is at hand. To ensure that information from this universe could be saved onto the hypnogogic plane, a new Ibn Sensor must be elected. Despite knowing that failure to complete the task would result in the complete destruction of the Earth; I decided to elect myself. I then entered the dreamtime; not knowing if I had ever actually awoken from the hypnogogic dream state, such is their nature.

I spent most of the day on a golf course.

Golf course archetype; simulated environment, gateway to afterlife.

In a typically touristic Spanish galleria I met a dark-haired girl, aged 8 or 9 years, who was tending to stuffed animals in glass incubation chambers. She told me they would suffocate if they were removed from their respective incubators. To my horror, I realised that the stuffed toys had microchips sown into their fur-lined seams; and these were broadcasting psychotronic mind-control signals that made her believe the inanimate toys were alive. I wanted to show her that she was wasting her time and, in my anguish, threw one to the floor. She reacted by bursting into tears and running away.
The Mill, inverted, becomes the whirlpool of Time, which sucks everything into the depths of the sea and the Unconscious.
The whirlpool of time denotes the singularity in 2012. Valis' ability to loop time suggests that it might might also have a hand in the creation of the vortex at the end of time. Our solar system is still tagged with the Sagittarius Dwarf Galaxy, in which; time has been infected by a virus.  The virus is creating endless approximately self-similar copies of the Galactic Binary Timing Signature. This will eventually overload the system and cause it to shutdown. Valis is a virus; a Trojan Horse, a Horselover Fat and a Tron program attacking the Black Iron Prison from within.

As pointed out in early posts, the Black Iron Prison is a virtual reality, created to obscure the true spiritual origins of mankind. The Empire is trying to replicate its artifice in recursive simulated realities, through the internet, as well as through developing holographic technology. These simulations primarily depict modern theatres of war; such as the ones currently taking place in Iraq and Afghanistan. But the real duplicate universe is being staged at the underground Cern facility in Geneva, where scientists are trying to recreate the conditions of the Universe directly after the Big Bang. In doing so, they have constructed a giant holographic particle imaging system, capable of replicating the physical world. Time moves at a much faster rate in this holographic universe, which can only be observed from inside the beam itself.* This means that within a relatively short space of time a duplicate Earth could develop with a duplicate Cern facility, and so on ad infinitum. These are desperate attempts being made by the Black Iron Empire to protect itself from attack and deletion by the Valis virus.

In the movie Tron, Encom is the archetype of the Black Iron Prison; in our world Microsoft fulfills this role.
 Microsoft declares victory in a covert war against itself
Microsoft develops water with an artificially high surface tension that allows people to carry grapefruit-sized droplets of water on their necks. This, they claim, will help developing nations tackle water scarcity.
This was a headline in the Ibn Sensor dream. It seems to suggest that the Black Iron Prison is being made to recursively gather intelligence on its own operatives; thereby negatively impacting its effectiveness to wage an all out strike against Valis. The water might be a metaphor for information. Perhaps the transferral of information along governmental lines will increase in viscosity causing a fatal instance of clotting. It could be said that we are seeing the effects of this communicative breakdown in the Irish Governmental system at present.

Over the years, I have had a number of dreams and visions, relating to Valis and the Black Iron Prison Godheads. In one of these dreams, I encountered Valis in the form of an Apple laptop orbiting the Earth.  I was told, by its emissaries, that it was an ancient satellite, put in place by a race of ETs to archive all of human history. If one were to hack into Valis' hyperdimensional databanks, something present governments are no doubt seeking to do, one would not merely encounter detailed logs of past events, but actually find yourself physically immersed in that time and those events. This confirms PKD's belief that Valis is a reality generator. If Valis contains the entire history of mankind this might mean that it contains files on future events also. In this instance, Valis would also be a functioning timetravel machine.

During my encounter with Valis I was given access to some of its archived files. These revealed Valis to have a particular interest in Europe during the 14th century, a period when the Knights Templar were at their most active. The Knights Templars are known as the fathers of modern banking and, as such, they were a wealthy organization that did not need to cow-tow to any Monarchy. This angered King Phillip of France, and on October 13th 1307, he and Pope Clement V issued the arrest of the Order on grounds of heresy. Many Templars escaped, but those that did not were subjected to intensive torture at the hands of the Spanish Inquisition. Some of its members,  during their time with the order, confessed to having spat on the cross and seen and spoken with 'a magical head'. This talking head I now believe to be Valis in a different form. Perhaps the Knights Templar had discovered, in the caverns under the City of Jerusalem, a plasmate of equivalent size and value to the one found in the caves at Nag Hammadi. Valis is Christ/Sophia, speaking through the mummified Godhead.
The red and white insignia of the Knights Templars
may, in fact, be an intuitive expression of the infrared
Sagittarius Dwarf Galaxy being absorbed into the white
Milky Way.

The plasmate granted the Knights Templar access to the Valis computer system, who, in turn, empowered them with the economic science of a long dead alien society. They were to use this valuable knowledge to generate enough wealth  to overthrow the Black Iron Prison. The bid inevitably failed, perhaps due, in part, to the dishonorable acts of the knights themselves––who knows. 

It is an interesting prospect, to think that the banking infrastructure of modern day, was initially developed, as an economic weapon against the Holy Roman Empire, by a pissed-off alien intelligence from outer space. What other novel ideas could Valis have imparted to this order of knights? Could the Holy Grail or the secret of alchemy be amongst them? Alchemy would certainly be considered an advanced technology, even by today's standards, and would, of course, significantly increase the wealth and standing of those who possessed it.

Much of this speculation reminds me of The Man Who Fell to Earth, a film starring David Bowie, as an extra-terrestrial - or time traveller - who crash-lands on Earth and, soon after, takes out a number of prime patents on hither to unheard of technologies. One such patent was for a new type of sound system that read information, apparently imprinted on metal spheres, via a pink laser beam. When PKD saw this he would have, very likely, fallen off his chair. It was the same pink light that Valis used to communicate its divine message to him. This sound system forms the basis for the laser fortress sound mixer, located at Meritone Studios, in the eponymous movie featured in the book Valis. More on that in later posts.

The emissaries told me that Valis was an ancient satellite constructed by alien intelligences. PKD maintains that these aliens come from the Sirius Star System.
There is an illustration -not shown here- in De Groene Leeuw, by Goose van Weeswyk (Amsterdam 1672), which depicts the sanctuary of the alchemists' lapis, encircled by the orbits of the planets, as walls, suggesting in this way a cosmic labyrinth.

In a vision I had in several years ago, I saw a star orbited by a multitude of broken rings; so that it gave the impression of a stariway or amphi hall. Another star in the immediate vicinity, also possessed this unusual characteristic. The close proximity of this star caused me to believe that it was a binary star  system like Sirius. The orbiting rings are not indicative of anything we have in our own solar system, lending to the idea that are constructed  artificially. This denotes an advanced intelligence capable of effecting its environment on a planetary level. To obtain the raw materials for their project the Sirians must have strip mined all of the worlds in their solar system, to their very cores. Once this had been done, they constructed large-scale curvilinear platforms, each containing a complex network of corridors and enclosures. The curvilinear platforms continued to orbit their respective stars at varying speeds along the plane of the elliptic; some traveling in a retrograde motion. It is very difficult to say why they did this; perhaps it is was to construct a celestial temple in honour of their Gods, or to build a colossal calendrical computer that could predict future events. However, I feel that comparisons can be drawn between the nature of this structure and the temple building of the Mayans, or the stone heads on Easter Island. These two cultures are well known for their lack of foresight where environmental issues are concerned, and it is a distinct possibility that the Sirians civilization suffered from the total destruction of the conventional planetary model. In any case, the Sirians don't live there anymore, but the empty corridors are still haunted by the echoes of their footsteps.

It should be noted that a very similar aesthetic has been employed in the open title sequences of news programs and corporations, in both Britain and Ireland. This suggests that these  these media groups are part of the Sirian exo-political sphere. The sacred curvilinear system is an emblem of this ancient power struggle for the soul of mankind. TG4 represents the Valis T4 virus, related to the T34 tank employed by the Soviets to stem the tide of Hitler's Nazi invasion. The T34 tank is used in Valis as a counterpoint to Fat's delusional preoccupations.

The labyrinthine construction of the Sirius Celestial Temple relates back to the cosmic maze of the alchemists.
Eliade notes that the essential mission of the maze was to defend the 'Centre'––that was, in fact, an initiation into sanctity, immortality and absolute reality, and as such equivalent to other 'trials' such as the fight with the dragon.
The purpose of the maze is to manipulate our perception, so that we are unable to perceive the way the Universe really is i.e. deathless. This is similar to what PKD said about the Black Iron Prison trying to conceal the true spiritual origins of mankind. Man is an immortal being, but the temporal manifestations of the maze, as well as our collective amnesia, lead us to believe otherwise. It is counter-intuitive that you can defeat the maze by participating in its convoluted machinations. In order to escape to the centre you must remain perfectly still. When you do this the natural fluctuations will reveal the answers to the questions you truly seek in the form of a holographic computer read out. The way to fight the dragon is to relinquish all fear of its insides. Here are a few important points about the nature of Valis and how it relates to the Sirian Celestial Temples (SCT).
  1. The Valis satellite has a complete, functioning record of the intercalated cycles of the celestial temples that surround Sirius A and B.
  2. The Sirian Celestial Temple of the Gods bares similarities to the inner workings of Valis (See I Ching; King Wen Sequence).
The relationship between the 64 hexagrams of the I Ching and the living information of the plasmate permits the crossbonding to the 64 codons of DNA. Valis combines with the plasmate at the Earth's polar regions and in the upper and lower Van Allen belts, where  infrared information congregates. Another phenomenon that could be explained by the presence of Valis is that of crop circles. I find it highly evocative that an alien satellite in orbit around Earth could be beaming signals of living information at the ground to create vibrant geometric patterns. The structure of these patterns is being continuously investigated by Ufologists to reveal messages of possible spiritual import for mankind. A video I recently watched on You Tube shows that by rotating some of these crop circle patterns, complex and intuitive information begins to be transmitted to the viewer, to very good effect. The medium of the crop circle is suggestive of a non-invasive communication, one would not expect this from a hostile psychotronic device.

This crop circle was discovered at Wayland's Smithy, Oxfordshire 9th August 2005
It is said to be based on Mayan Calendritics and looks very similar to patterns
seen in the SCT and I Ching computer languages

*Please note that it is very dangerous to stick your head into the beam of a particle accelerator.

1 comment:

  1. Stop giving puny humans this technology !!!!
    Humans are still no better than the caves they/we came from.