Friday, August 31, 2012


During meditation people are often asked to focus one or other the glands in the human brain; either the Pineal or Pituitary glands. This can serve as an annoyance to meditators, because in the first instance it is difficult to locate either of these glands accurately. You can't just open up your brain and take a look inside... And in the second instance, because it is difficult to see how remaining quiet and present with either of these glands is really going to cause them to activate or 'open'. Another problem with these exercises is the close proximity between the pineal gland – region closely related to compassionate feelings – and the amygdala, which controls fear and the flight or fight mechanism. It is obviously more beneficial to focus on the pineal gland then on the amygdala, therefore.

The human ear is a message written in flesh on the sides of our heads. The very shape of the ear is a riddle calling for an answer to be heard. Why are human ears shaped the way they are? Surely they could operate just as well simply as holes or featureless parabolas. And yet they express this convoluted form that is unique to each individual. Why?

Well, for a start the round shape of the ear closely imitates the shape of the cranium itself. Seeing as how these two prominent sense organs sit on either side of the head, it could mean that they are - in some way - trying to tell us about the shape of the brain matter within. I believe the ears are like a map made of cartilage, giving us a fractal cross-section of the brain that is not merely representative, but actually hardwired into the brain via a most sophisticated hardware of blood and nerve-endings.

Therefore, the ear is like a computer terminal that can be used to access parts of the brain (such as the Pineal Gland) from an external mode rather than an imprecise and messy internal one.

Now I know that there those who might contest this view, saying how the shape of the human ear helps reflect sound into the ear drum, or some other thing. But such mundane observations and explanations as 'Ears, they make you hear," will not be entertained here.

I believe that the human ear is the weirdest sense organ of the all. It is because of this 'weardness' that the human ear is possessed of a rich occult significance. This occult significance leads right back to what we were saying earlier on; about how the ear can be used to trigger areas of the brain that are beneficial to meditational practice. We can 'hear' with the ear, or we can be 'here' with it. In this case 'here' means to be present.

By applying a moderate (slight) amount of pressure with the fingertips we can activate the different regions of the brain by an external and instantaneous process. No more sitting around messing up your meditation thinking about whether or not you are in the right region of the brain. By touching your ear on the points stipulated in the diagram you will receive the desired reaction almost instantly.

The Green Dot in the image represents the area on the ear that conforms to the pituitary gland in the average brain. The Red, Blue, and Yellow dots therefore conform to the Third Eye, the Pineal Gland and the Crown Chakra, respectively.

By touching the Red and the Blue areas in tandem you will have activated the pineal gland and its gateway, the Third Eye together. Likewise, touching the Yellow and Green areas will allow you to access the Pituitary and Crown Chakra used in the Transcendental meditation phase.

This approach has some obvious resemblances to reflexology, but meditation is still required on the practitioner's part. OSVH.

Sunday, August 12, 2012


David Wilcox's site The Divine Cosmos has an interesting run down of NASA Patches and how they purportedly contain hidden symbolism pertaining to the notion that Earth is under some kind of Extra-Terrestrial quarantine. According to Wilcox's article 'China's October Surprise II' this quartantine was held in place by a "vast network of super-advanced, indestructible satellites surrounding the Earth... These satellites keep humanity locked in -- and everyone else locked out."

The main thrust of this analysis hinges on a number of recurring motifs in the NASA Patches, these include;

1: A pair of intersecting rings that surround the Earth and which, according to Wilcox, represent the energy barrier that upholds the Quarantine. 
2: Triangular objects that are thought by Wilcox to represent back engineered ET space craft. 
3: Two star-like objects that occur in conjunction with 'quarantine rings', that I have dubbed Sentinels.

In these patches for the Air Force Space Command and the US Space Command (which I assume are much the same thing) clearly show the triangular-shaped object, the Sentinels and the two quarantine rings.

We see them again in the emblem for the Joint Functional Component Command for Space, although in this instance their number has been doubled from 2 to 4.

Other motifs such as gauntlets, lightning bolts and the Skull and Cross-bones, Wilcox attributes to the Knights Templar (or Knights Temporal). Where his argument seems to falter, however, is why the delta-shaped back engineered space-craft supposedly under human control would be represented as being part of the quarantine energy rings. It could be claimed that NASA officials are attempting to gain control of this system through a process of sigil magic. But that is assuming that the analysis of these patches is correct to begin with.

It is my belief that there is a much simpler explanation for the NASA patch symbology, which involves neither ETs nor the Knights Templar and that is the Christian symbol for Christ; the Chi Rho. Chi Rho is an early form of christogram, formed by the superimposition of the first two capital letters 'chi' and 'rho' (XP) of the Greek word "ΧΡΙΣΤΟΣ", meaning Christ. It is usually accompanied by the Greek letters 'Alpha' and 'Omega' to show that Christ is both the beginning and the end, and therefore timeless or eternal.
The 'X' of Chi-Rho is clearly shown in the NASA patches as the supposed 'quarantine rings' of Wilcox's article. If this is correct it means that the triangular-shaped craft stands for 'Alpha' and nothing more. By comparison the letter 'Omega' is rarely seen, but it does make an appearance in the 310th Communications Flight badge, in the form of energy flowing from two iron gloves.

What this tells us is that the NASA and Space Command Flight patches are uniquely Christian in origin. This really should not surprise us, as America was founded as a Christian country and religion has always been traditionally linked with the armed forces.

But is there anything we can say in defense of Wilcox's claim? Well, actually there is quite a lot we can say. The concept of the Earth being under some kind of extra-terrestrial quarantine is not new, and – from what I can tell – is directly connected to the secret rites of the Theosophical Society. Theosophists believed that the ruling class, the upper echelons of society, were all extra-terrestrial shapeshifting reptiles, who came here from another planet (See: Vril, The Coming Race). Obviously, David Icke is not the originator of this claim.

These aliens were 'The Fallen Ones' or Nephilim of Biblical Times. According to the occult and conspiracy researcher Michael Tsarion, the Nephilim came to the Earth to escape the persecution of benevolent ETs. When the ETs discovered the Nephilim on the Earth they imprisoned them here by creating an artificial satellite; our moon. The moon itself generated the energy field that was to quarantine the Earth. The phases of the moon, which show its apparent growth and waning in the night sky is described by the alchemical symbol of the Ouroboros, or the 'snake that eats its own tail'.

The Ouroboros is depicted as a ring, much like the 'quarantine rings' of Wilcox's article. But if the moon is the generator of the quarantine field, then why do the NASA patches consistently show two rings instead of just one? I have come to realise that these two rings represent the orbital plane of the moon and the plane of the ecliptic. Where these two orbits intersect, we get what is known as ascending and descending Lunar Nodes. These nodes account for the Solar and Lunar Eclipses, as seen from Earth.

In ancient times little was known about the actual motions of celestial bodies, and in particular what caused solar and lunar eclipses. In order to explain the eclipses, two new heavenly bodies named Ketu and Rahu were introduced. Ketu and Rahu were believed to be two 'shadow planets' that were responsible for eating the Sun and the Moon during eclipses. From this it is plain to see that the two star-like Sentinels in the mission patches could either be the Sun and the Moon, or Ketu and Rahu.

Just as the phases of the moon were represented by the Ouroboros serpent, so Ketu was the head and Rahu the body of one enormous serpent. Therefore, Lunar Nodes of Ketu and Rahu could more accurately describe the operation of the 'quarantine field' than could the phases of the moon alone.  The K-R of Ketu and Rahu relate back to the XP of Chi-Rho. Furthermore, the symbol for the Rahu and the ascending lunar node is the Greek letter 'Omega', meaning that this symbol is mathematically and figuratively implicit in each and every mission patch!

So in conclusion it would appear that the mission patches conform to the idea that the moon generates some kind of quarantine field around the Earth, but only in the most obscure and convoluted kind of way.

Monday, August 6, 2012


How to Astral Project, or enter the Sub-conscious Realm of the Imagination
The traditional view of astral projection is one in which the ethereal, or astral body, is projected out of the physical form to explore the physical environs and bring back information. Knowledge on how to achieve this type of projection is readily available in the public sphere and won't be gone into here. Instead what will be looked at here, is how to explore the realm of the sub-conscious or of the Imagination, which I think is a more pure and creative pursuit.

The 20th Century psychologist Carl Jung believed the unconscious minds of all beings were connected and that they contained all of the imagery of history, prehistory, of myths and legends. It was further his belief that the contents of the subconscious minds formed the basis for man's psyche, and were therefore archetypal. Previously, the map of the subconscious had been drawn up by the grandfather of psychology Dr. Sigmund Freud, in the latter half of the 19th Century. He warned of the dangers resulting from close interaction with the subconscious mind, due to the fact that it contained all of mankind's irrational impulses. This opinion is contested by the writings of William Blake, who referred to the Unconscious as the Imagination, and invited people to dive in.

Unfortunately, today people have become so disconnected from their subconscious mind that they have all but forgotten how to interact with it. Nowadays, people think any child who can pick up a stick and pretend that it is a spaceship as having a powerful imagination. But, in truth, they are not imagining anything at all, they are merely play-acting. The word 'imagination' implies the generation of imagery, and if you do not generate imagery you are not using your imagination to its fullest potential. The decline in the imagination is often blamed on television, and this is undeniable.

Television subjugates the imagination. Without the use of this imagination - in the fullest sense of that word - the average person loses faith in themselves and in reality, as doubts and fears crowd the mind. TV does not destroy the imagination, such a thing is impossible. It can only suppress it making people forget that they ever had its use.

Sigmund Freud's belief that the subconscious mind was somehow dangerous was a great influenced on his nephew Edward Bernays. Bernays was responsible for trying to limit people's interaction with their subconscious to try to engender a more cohesive society, in the United States. He has in the long run been criticised for creating passive, consumerist slaves. Whatever the case, Bernay's would have, no doubt, approved as television as a medium for stifling the imagination, and therefore control mankind's 'irrational' creative urges.

I have compiled a list of 9 steps in order to help you reconnect with the realm of the imagination more easily. I think it is interesting that there are 9 of these steps, as the number 9 is of great occult and psychological import. Furthermore, the steps have a non-linear algorithmic function in Step, 4a and 4b.

1. Close your eyes and imagine that there is a six inch wide line painted in white on the ground. It stretches off off into the horizon in both directions. Try to walk this line in your mind, one foot over the other.
2. Next, imagine that the line is actually a metal girder raised five ft above the ground and supported at either end. Now walk this in the same way.
3. Raise it 10 ft above the ground and walk it. At this point you should begin to notice a slight difference in the speed at which the ground moves relative to the girder. This is an effect that only your subconscious mind would include.
4a. Raise it to a height of 15 ft. and repeat.
4b. Continue raising the bar (by a factor of 10 ft.) until you feel ready to move onto the next step.
5. Next imagine a skyscraper made of iron girders. This skyscraper is still under construction. You take the elevator to the 50th floor.
6. Now you can walk around this environment. Pay attention to the foremen shouting orders to the workers. Watch from above as workmen weld the i-beams together.
7. Walk along a beam, and before you get to the end turn around and walk back the other way.
8. Jump off a beam and land on the next floor down.
9. Jump off the building and fly around the city.

After you complete these steps, go away and forget about it. Later, when you find a quiet moment to yourself, close your eyes and ask you subconscious mind to show you something. Your subconscious mind is always listening and does not really need any verbal command, merely your intent to be able to 'see'. At this point you should be presented with a lucid environment that is spontaneously generated, immersive and fully interactive. If this does not occur repeat the 9 Steps.

From my own experience, I needed only to do the exercise the one time, and then after the rest period, I was able to instantly access the Subconscious Realm of the Imagination. There I met my power animal, my guide to the Astral Plane. It was a giant falcon, or Thunderbird. It flew me to the ocean at the Edge of the World. There I saw a number of jagged rocks jutting up from the water. On the largest of these was a building, resembling a public toilet from the Georgian Era. Its concrete walls were badly eroded and the sea was breaking in. I dismounted and entered into the gloomy corridor. Among the detritus of cracked mortar, I saw rats turned to stone. Their little paws broken off at the wrist. There was no doubt about it, this was the lair of Medusa and her Gorgon sisters.

In the 9 steps, we start off visualising something relatively simple (a 2D white line) and escalate to a more complex 3D structure. This deliberate build up of the environment from first principles kicks starts the subconscious into generating worlds whenever you close your eyes and ask it to. You may want to adapt the 9 steps to suit your individual needs, for example I drew up these steps because I wanted to mentally overcome my innate fear of extreme heights. At any point you can use your imagination to visualise something that frightens you -- for example the open ocean -- and then come to terms with that fear. The most important thing to remember is that the subconscious mind will generate all of the imagery spontaneously and all you have to do is 'go with the flow'. There is nothing in your subconscious mind that can hurt you physically, or in any other way, so never be afraid of entering into the Gorgon's lair unarmed.

Once you have systematically used your imagination to generate an environment, as shown in the 9 steps above, the subconscious mind feels comfortable not only to generate imagery but entire story lines. It is basically like lucid dreaming, only the contents of the dreams have far more narrative and are far more believable than anything I have encountered whilst asleep. I have been witness to brightly coloured pterodactyls gliding down by sea cliffs, seen ancient satellites orbiting plasma worlds, and walked with the ghosts of Harlem. All of these things are contained in your subconscious mind. We have all been to these places numerous times.


Or How To Fix the Air

When all images and thoughts have been silenced in the mind, we can truly begin to focus on the conscious self. At this point the conscious mind may appear to shrink in size. While this is happening remain focused on your breath. Soon you will encounter what I call the breath of Mid-Sleep.

When starting out meditating you may find yourself nodding off. When this happens the head usually dips and you wake yourself back up again. This is the sharp drop-off towards deep sleep. What we are trying to achieve in this meditation exercise is a slow gradient in which the mind or body never actually gets to fall asleep. No doubt you will have experienced this sensation many times throughout your life. It comes when you are just about to drift off -- the mind is quiet, the breathing becomes heavier and then you either wake up again or lose consciousness entirely.

Although this type of breathing occurs naturally when one is asleep, it is harder to reproduce while awake.

When you rest in the nature of mind; devoid of all thought and imagery, begin focusing on the breath. Not only will you be able to feel the breath much clearer, but you will actually become it. The air will seem thicker in your lungs, and yet at the same time fresher.

The Breath of Mid-Sleep could also be called the Double Breath, this is because it feels like you breathe twice, for each inhale. First you draw the air into your lungs, but then you draw more in on top of it. The second bout of air pushes down on the first and then when the resistance is overcome, the two flow passed one other. This is a very pleasurable sensation and is no doubt what stimulates the body into producing the chemical which sends one off to sleep.

It is well known that the body repairs itself during sleep, in response to this chemical. Therefore the Breath of Mid-Sleep is conducive to the repair of the body and should be recognised as such. Conscious recognition and direction from the meditator will speed the process of recovery.

From this more substantial air the ethereal body is able to manifest dreams. It is even possible that if the meditator were to become adept enough that he/she could use this breath to manifest dream objects, and people, in the real world. Literally, manifesting physical objects from 'thin air'.

The Alchemists believed that natural things were divested of a 'life-force' and could be harnessed through alchemical processes. The most notable of these processes is called the Fire of Recirculation. Basically, a liquid that was deemed to have a substantial amount of life-force associated with it (i.e. dew, grape juice, or even urine) is placed over a steady flame, causing the fluid to gently convect. It was believed that if this level of heat was maintained for 3 years the alchemist would produce the Philosopher's Stone. In a sense, the Breath of Mid-Sleep can be seen to be analogous to the Fire of Recirculation, because air contains a very potent life-force and is continuously recirculated throughout the lungs and the body. Unlike urine or grape juice, however, the air cannot be consolidated into the Philosopher's Stone by means of heat. However, as I have already shown, the Breath of the Mid-Sleep is an effective way of 'fixing' the air (or to make it heavier), and so it is certain that the positive effects of this meditation on the body are akin to those of the Stone of the Philosophers.

When you are confident that you can create the Breath of Mid-Sleep with ease, begin to raise consciousness, back out of itself and back into the normal world. Continue to breathe in this fashion for some time, whilst remaining conscious of your surroundings.


The Mind-body Inferface.

There are two main obstacles to obtaining Nirvana. The first is the ego that is obsessed with the up keep and maintenance of the body. It is of course very important to maintain a healthy body, but the mind should feel detached from all physical pain or concern for its physical well-being, from moment to moment. A great number of the relationship problems that we face between people are due to the ego attempting to ensure that body is comfortable, that it is well fed and looked after. This is all well and good, but it should not be done at the expense of others. The conscious mind is entirely connected with the body but this does not mean that it should identify with it on every level. The mind must seek to be in control of the body at all times, and be detached from its sufferings, which are in any case only a product of a perceived lack, generated by the conscious mind in the first place. No great pains are needed in this endeavor, and this goes without saying, because the main aim of meditational practice is to relieve suffering and its ills.

The next obstacle is the ego itself. The ego is used to getting what it needs for the up keep of the body, and in times of scarcity it will go to extraordinary lengths to achieve it. This type of tenacity is admirable, but it shows the single-minded nature of the ego. It is singularly focused upon itself and its own well-being. The ego likes to mull things over and it will invariably bring up some occasion when it feels that you did not conform to the strict command; to always be on top and in the lead. This feeling of failure will cause a physical i.e. emotional response, that will make the self aware again. Having already mastered a level of control over our own bodies, halting the meddlesome ego and its contiguous emotional response is no longer so daunting a task.

The frequency with which the ego brings up memories in which you feel inadequate is to be considered a blessing, as it provides ample opportunity for you to get proficient at halting its machinations and showing the ego that it is ultimately you who are in control of your physical and mental states.

During the meditation, close your eyes and focus on the mind. The mind encompasses all things; the sensations of the body, the immediate environment as well as our sense of self. The body is certainly apart of the mind's remit but it is not the intended focus of meditation, it is rather a canvas or foundation on which the conscious self rests. Focus on that self. It is a strange and beautiful place. It has no real position, no real boundaries or focus, and yet it has what we call its own 'perspective'. When consciousness is not focused upon, it becomes heavy and makes a dint or depression in the mind. This is the negative or gravitic aspect of consciousness. When we focus upon our own consciousness we see that it is positive or radiant. This positive energy exerts the same amount of force in every direction of space-time, and so it is weightless. The negative gravity aspect of the mind is cancelled out by the positive electromagnetic aspect and vice versa. But concentration on one or the other will cause it to be noticed.

When the meditator gains a proficiency in stopping all thought and focusing on their consciousness, they will notice that their mind drifts. Conscious focus will lapse and thoughts will spring into the mind. Often times the meditator will be almost unaware that they are thinking about anything, and certainly unaware that they have deviated from the main point of the meditation, which is to still all thought. However, this is a necessary part of the process and should not be seen as some kind of failure to meet with the principles of the meditation. For example, if the thoughts are concerned with aspects of the past in which the meditator feels as if they have wronged someone or embarrassed themselves, these thoughts will instigate an emotional response. This negative emotional response will be noted by the conscious self and you will then be able to stop that process in its tracks and return to the act of focusing on the mind.

Once this game has gone on for long enough, and you find yourself getting better and better at it, the focus of the game will shift. At this point the mind is almost on the cusp of hypnogogic visions and you may begin to see images played out in front of you. These visions might be surprising or even terrifying, but again the purpose is to remain in control of your mental, physical and emotional states. When this is done you are showing your mind that you are not afraid of these visions, and that you are aware that they are just another aspect of your mind, like that of the ego, the physical and emotional bodies. When this happens the images will dissolve.

Saturday, August 4, 2012


There are numerous similarities between the movies Fifth Element and Return to Oz. Obviously, the Fifth Element deals with the four elements of Fire, Water, Wind and Earth; plus a fifth, which is Love or Ether. The Land of Oz itself is divided up into five regions each one expressive of the colour of the five elements. This shows that the Wizard of Oz series is a Hermetic work in the tradition of the major European occult mystery schools. It is, therefore, no surprise that the Fifth Element quotes and borrows so much from it.

In Return to Oz, Dorothy finds a key, which fell from a shooting star. She uses the key to unlock a doorway in an apparently impenetrable stone wall, thereby escaping the clutches of the Wheelers (the minions of Mombi). There she uncovers a clockwork driven mechanical-man named Tik Tok. Tik Tok needs to be wound up with a giant key before going out to fight the Wheelers. The 12 Wheelers surround Tik Tok in a circle, denoting the division of a day into 12 hours, a year into 12 months and an Age into 12 signs of the Zodiac (each lasting 1,265 years). Tik Tok puts his arms out and begins to spin round like the hands of a clock, knocking away each of the 12 ages in turn.

The same sequence of events is reiterated in the Fifth Element. This time mechanical men descend from outer-space in a shooting star and enter into a stone pyramid. One of the spacemen uses a metal key to unlock a stone wall, revealing a secret chamber. Inside the chamber is a statue. The face of the statue looks very similar to those of the Wheelers and points to the sky in much the same way. Its serves its purpose as a weapon that can halt the advance of the Dark One and bring about an age of Light and Love.

In Fulcanelli's The Mysteries of the Cathedrals, the pyramid at Giza is described as being an engine that drives the evolution of mankind. So, Tik Tok and the statue are describing some kind of device that is hidden in the Great Pyramid and is capable of raising humanity to a level of physical and mental maturity needed to face the difficult times ahead. Tik Tok's obvious connection to the passage and action of time, means that he is representative of the Egyptian concept of Zept Tepi (the First Time), which signifies a return to the Golden Age.

The key to the pyramid and therefore the elements is to be found in the structure of the Land of Oz.

The Map to the Land of Oz, shows the Emerald City in the centre. This is where the Wizard resides. The other four lands each represent one of the four elements. The four sides of the Great Pyramid at Giza are aligned with the Cardinal Directions and therefore, from a Hermetic point of view, the 4 elements. When looked at from above it is clear that the missing capstone represents the Emerald City or the Wizard. The symbol of the missing capstone is today a symbol of fear and paranoia in the face of the perceived threat of the so-called Illuminati. In fact, the missing capstone stands for the Fifth Element; love, spirit, divinity, or the ether.

When Dorothy and her friends are forced to leave the Land of Oz they must board a strange  winged moose. This is similar to the Pegasus of Greek mythology, but in this instance it is called the Pegamoose. Traditionally the constellation Pegasus is associated with a gateway through which it is possible to leave the Earthly and travel to the Heavens. Dorothy uses the Pegamoose to traverse the Impassible Desert and reach Nome Mountain. Interestingly, Nome Mountain has two peaks; making it symbolically equivalent to the Mountains of Mars (or Janus).

There is evidence that suggests that there are pyramids and such on the surface of Mars, left behind by an ancient civilization. Unlike the pyramids on earth, which are aligned to the cardinal points and represent the four elements, the so-called pyramid on Mars has 5 sides. This gives us the correspondence;

Earth; The 3rd Planet; Pyramids are built with 4 sides.

Mars; the 4th Planet: Pyramids are built with 5 sides.

Nearby the pyramids of Mars on the Cydonian plane is a structure that has come to be known as the Face on Mars. It is a massive mountain like structure that looks up into the heavens just as the statue in the Fifth Element does. 

This tells us that the Face on Mars is a weapon and that it can usher in a new age on the planet Mars, just as the Giza Pyramid will do here.

Channelled message from the surface of Mars, Autumn 2011;
When I open up my head and breathe, I create lush, green environments. That's just what I do.

The face on Mars is a terraforming device, just like in Total Recall. It has the power to heal or destroy a world. It has already laid waste to Mars once in the past, and now it is to be used to usher in a new dawn, a Golden Age.