Siamese Pumpkins

In the last post we spoke about the possible connection between Alchemy and  9/11 terror attack. Alchemy is principally concerned with the resolution of opposites, and such an undertaking can be seen in the destruction of the Twin Towers, where both structures are reduced to the same heap of rubble. Alchemy resurfaced in Europe in the 16th Century when John Dee went to visit his contemporaries, and counterparts, on the mainland. But it was not until after his death that his dreams of a Alchemical Rennaisance and Kingdom were actuated. This was undertaken by the Rosicrucians, who you might remember are linked to the events of 9/11 through Norah Jones’ video and a number of other strands also.

In his book, A Dictionary of Symbols, C.E. Cirlot makes reference to an alchemical work called the Symbola Aureae Mensae, in relation to the symbol of the double pumpkin or gourd.

            Pumpkin or Gourd, Double    A Chinese emblem of Li T’ieh-kuai, the second of the Eight Immortals… He was also symbolized by a column of smoke. But this symbol of the twin pumpkin is very far from being limited to the Far East; it was also common in the West. Among other respresentations, the frontispiece of Book II of Maier’s work on alchemy, Symbola Aureae Mensae (1617) shows us the twin pumpkin in the form of two amphorae, with the top one up-ended. The surprising thing is that this image also incorporates the above-mentioned symbol of the column of smoke joining the interior of the lower amphora with the upper; in this case there is not just a single column, but a ring of smoke circulating between the mouths of the two amphorae.

 

The Twin Towers are a symbol of the link between the two worlds­––the upper and the lower–– and are further associated with the double pumpkin through the column of smoke which accompanied their destruction. The destruction of the Twin Towers could therefor be redefined as a smashing of the twin gourd or pumpkin. This got me thinking of another connection I made; months ago, concerning the Chicago-based band The Smashing Pumpkins, the French high wire artist Phillipe Petit and his daring cross between the Twin Towers on August 6th 1974. After he made the crossing a journalist asked Petit why he had done it. He responded instantly in his broken English, “There is no why.” There is a song on Mellon Collie and the Infinite Sadness­––the Smashing Pumpkins third album––called Here is no why that may have been influenced by this obscure one liner. Confirmation of such a connection can be found in some of the lyrics of the song, in particular the lonely towers of long mistakes. Incidently, the use of the word ‘mellon’ as a pun on melancholy shows that the band still seeks to be associated with these gourd-like vegetables, despite claiming that the name of the band ‘is a joke’ and that the title of the album is “pretensious”. Maybe so, but it doesn’t negate the fact that these are very real and long standing themes running through the work of this obfusticating and contradictory rock-group.

It should also be noted that the two gourds or amphorae are symbolic of the Holy Grail, which was associated with the Twin Towers in Factoring Norah. In Aleister Crowley's mystical system of the Thelma, the goddess Babalon is associated with the grail and the gateway to the City of the Pyramids. The Twin Towers stood as a type of gateway and, as noted in the last post, their design was informed by the Egyptian pyramids of Giza. Babalon gaurds the Abyss, the area where the planes flew into. The column of smoke arises from the ash flying into the air and the air falling into the ash, as in the Eyjafjallajökull Eruption. The oil rising in the warter causes the sinking of the water, as in the Gulf of Mexico Oil Spill. The rising of the Scarlet Woman, Babalon, causes the sinking of ignorance.

In the Smashing Pumpkin’s second album, Siamese Dream, the theme of the twin pumpkin continues. A siamese dream is a poetic term self-coined to describe a shared, or collective, dream-state among individuals. If we submit that two people can occupy the same dreamscape whilst sleeping in separate bedrooms; what about different countries, different time zones; or even remote time spheres? Given the lack of temporal restrictions documented in the subconscious world of dreamtime, it may be possible to communicate with people in the future, provided they have been briefed in advance of the rendezvous. The conscious mind filters out the majority of the information contained within the environment at anyone time. This handy technique allows us to focus on the work at hand w/ paying heed to any would-be distractions. The same function which allows you to retain a narrow focus on events in the phenomenal world, naturally permits you to maintain a narrow focus on the passage of time; as these are one and the same thing. This limited perception of time, which we collectively refer to as the present, is comparable to a standing waveform which permits us to experience the world without temporal bleeding or overflow. Can you imagine how difficult things would become if we somehow lost our faculty to remain grounded in a continual present? Simple undertakings like baking a cake (if this undertaking can be considered simple) would quickly become life changing, harrowing experiences. Imagine, if you will, you have just prepared all of the ingredients and are about to put the cake in the oven, when time skips forward and the cake has been burnt to a crisp. Happens all the time, you say. But then, time reverses and you are flung back to a point before the idea of baking a cake has even sprung into your mind. You have to go back to the shop for a second time if you want to follow through on your commitment and bake the cake. Now, halfway through cooking the dinner and, suddenly, its Thanksgiving. You have an entire family to feed, but you only cooked fish fingers; a Nightmare.*

*Sci fi writer Kurt Vonnegut describes a similar set of circumstances in his 1969 novel Slaughterhouse 5, wherein the main character “comes unstuck in time.”

Our unconscious mind; on the other hand, has no limit on its information processing capacity. With a simple glance it can take in the position, texture and chromatic compatability of every object in a given area. It is therefore not entirely beyond belief that a genius intellect such as this could discern probabilities of outcome based on the most meagre snippets of information from the present. If an instant of time for the unconscious mind encompasses every tangible ounce, every scrap and flavour, down to the very dregs of 3-dimensional space, then it must be assumed that it can summon these incredible perceptive faculties to peer beyond the veil of time and into the future beyond. Just as our own attention can wander from the task at hand, so it can wander from the conscensus sphere of time; known as the present, and when this occurs visions of things not yet realised are the result. However, it must be said that visions of this nature are far more likely to occur during REM sleep, when the unconscious mind begins to roam the 5th and 6th (alternate) dimensional realities.

Having said all this, the possibility that two people could share the same dream-time while existing in different time frames seems all the more plausible. The applications for such an eventuality have their obvious advantages e.g. in transmitting information across temporal boundaries. A possible synopsis for the intended use of this technique is as follows;

Let's say I am working for a secret governmental time research agency. I am not, but let's say I am.

On the morning of September 10th 2001, a governmental agent, who is a colleague of mine, delivers me an envelope. I am instructed not to open it; but from previous exercises I know that it contains a photograph of someone whom I have never met before and has, in all likelyhood, been dead for quite some time. In actual fact the envelope contains a photograph of a female operative codenamed Albatrose. The photo is ten years out of date. That night, as instructed, I place the envelope under my pillow. Before I go to sleep I focus on the contents of the unopened envelope, while emptying the contents of my mind. This opens up a conduit to Albatrose: a shared dream state existing both in 2001 and 1990 simultaneously. This brings a whole new meaning to the term 'sleeper agent.' As directed, I impart the information concerning future events. The following day the world has changed forever, but the time research program doesn’t bat an eyelid. Soon after another of my colleagues recieves an oneric message from the year 2012. This message was sent by one of the operatives in my department, this is known for sure. But the details of the message are kept secret to ensure the success of the mission. This policy prevents any temporal paradoxes arising from advanced knowledge of the message.

 End of synopsis.

An oft referred to event in articles on Pearls of War is the 17 minute delay-interval in the 9/11 ASR (Alchemical Solar Ritual), as occurring between the North and South towers being struck by their respective planes, and this article is no different. The 16th song, on some versions of the Smashing Pumpkins 4th album Adore, is called 17 and last for only 17 seconds. The number 17, as we know, is of the utmost mystical import to occultists and alchemists alike and its charms have obviously not escaped the exacting eye of singer/songwriter Billy Corgan.

Here is a picture gallery of album art displaying the similarities between the band’s aesthetic and the Rosicrucian alchemical works of the 17th Century.

Mellon Collie and the Infinite Sadness Inside Cover Album Art.

Symbola Aureae Mensae; Sun and Moon.

Symbola Aureae Mensae; Here is one 'Y'.

Serpentine Dream Theory

In the 2007 movie Southland Tales a group of public figures comprised of actors and porn stars, are indoctrinated into a secret research project known as Serpentine Dream Theory (SDT) - not to be confused with STDs. The project involves hypnotism, time travel and the habitual use of an organic component known as Fluid Karma. As stated before, Fluid Karma is a highly psychoactive compound that has much in common with the hallucinogen DMT. Robert Frost refers to cacti in his seminal poem The Hollow Men, as a means to describe the sterility of modern America.

Here we go round the prickly pear.

However to dance around any plant is to give homage to it. No cactus is perhaps more deserving of praise, in this manner, than that of the peyote cactus. Peyote is prized for its natural production of mescaline. Mescaline is a psychotropic compound with effects similar to that of DMT and the fictional drug Fluid Karma. Medea, the Greek heroine, skilled in the craft of vision inducing substances was schooled by Hecate. Hecate, the Goddess of witches and crossroads, is associated with the Fluid Karma project. The SDT project is a highly convoluted affair. Participants are drugged, flown through a rift in timespace, hypnotised and then encouraged to continue the use of the organic compound drug Fluid Karma. The combination of these three conditions grants the unwitting participant the ability to see into the past and the future; a property associated with the Goddess Hecate herself.

The application of LSD in US governmental programs such as MK-ULTRA is well documented. But its use in the research of time-travel is less well-known. One source, that could be described as dubious, is the testimony of Preston P. Nichols, who was an engineer for the shadowy Montauk Project. Montauk was a secret research program allegedly involved in a plethora of black operations such as; material manifestation, teleportation, time-travel, alien conspiracies and mind control/manipulation. Preston claimed that special rooms were provided for candidates to experience psychotropically altered states of consciousness; with a special regard for the remote viewing of different time spheres. The rooms were decorated in a variety of psychedelic wallpaper and their dilapidated ruins are apparently still accessible on the now defunct Montauk AFB.

A number of years ago, I was told a story by a friend of mine who had an acquaintance with a guy named Paul - not his real name. As a child, this acquaintance befriended a boy, called Rick, also not his real name, who lived in a house across the street. As they grew older, they grew apart; a state of affairs familiar to most people. In later life Paul became involved in the Dublin drug scene and gave little thought to what had become of his old friend. During this time Paul was admitted to hospital after ingesting a large quantity of LSD. His trip was of epic proportions; involving a fight for his soul between the Devil, on one hand, and a legion of angels on the other. While he was recuperating in hospital he received a visitor, which turned out to be none other than his old childhood friend Rick. It transpired that  Rick had enlisted with the British Secret Services following emigration to the UK. This did not strike Paul as unusual, as Rick had always shown a keen interest in the military growing up. After a brief conversation, Rick invited Paul to take a questionnaire that might shed light on his LSD experience. Paul agreed, and was surprised when filling out the form to encounter questions that related specifically to time-travel.

What this story tells us is that, far from being considered in a skeptical manner, time-travel is of particular interest to governmental agencies. Not only that, but it is apparent that they believe strong hallucinogens can permit ordinary citizens to foresee temporal events that are beyond the call of major analysts. These conclusions should not really be all that surprising, considering the unique advantage knowledge of the future would bring to a covert war. We should also consider the ongoing efforts of different governmental agencies in the prediction and control of the future. These efforts may take unusual forms, and may explain some of the time travel codes that have appeared in connection with 9/11 and other more recent events. I have already shown connections between the 911 Solar Ritual and the time travel plot of Southland Tales. Of course this plot is not restricted to Richard Kelly's creations and, as I have shown, reaches into the world of show business and space travel; two disciplines that have become more closely intertwined than ever before, in recent months. It appears MI5 may have learned from the mistakes of the CIA and MK-Ultra, when it comes to finding test subjects for their experiments. Instead of drugging people against their will, they merely wait for the inevitable OD patient to be admitted to the hospital yards. This provides the valuable information that they require, without running the risk of causing a public outcry.

So, Richard Kelly's narrative, of a group of shadowy figures drugging and hypnotizing familiar personages in the hope of finding out more about the future, is not as far-fetched as it might, at first, appear. It would, to my mind, be extremely gratifying to get a look at the questionnaire Paul, allegedly, underwent. The Serpentine Dream Theory is connected to a much larger project called the Doomsday Scenario Interface (DSI). Fictional within the confines of Southland Tales, this project might find realistic comparison with the Y2K and 911 false flag and non-starter operations. These two massive projects might be part of a government operation to research, in advance, the possibility of an actual cataclysm occurring in 2012. On the other hand, the fear inducing propaganda surrounding these events, may trigger an unprecedented ability within the general populace to predict and offset undesirable futures for themselves. The symbol for the DSI occurs as a subliminal message in the movie ST, due to an editorially advised cut in the length of the film. The symbol for the DSI is reminiscent of the Antinomial Sigil of the TOPH, a Satanic organization connected to Aleister Crowely and the worship of the demon-begetter Lilith.

Antinomianism is the theological belief that members of a particular religion are under no obligation to follow rules of ethics or morality, given that salvation is by predestination only. Antinomianism, by its definition, omits the intervention of an omnipotent God, in favour of a predetermined timeline. It is, therefore, no wonder these people would be so interested in time travel, because such abilities would give them the power to alter their own destiny, and the destinies of those around them. Perhaps the infamous internet-based time traveller John Titor was correct when he said that the Large Hadron Collider would open up new avenues for research into time travel. And perhaps it is no accident if it does so.

Serpentine Dream Theory may have found its precursor in the Dragon Project Trust (DPT). The DPT was founded in 1977 to investigate claims that prehistoric sites have unusual forces or energies associated with them. In the end, the DPT became a 'dreamwork program' that 'is a kind of modern revisiting of the ancient practice of temple sleep (see Divination).' The program was jointly conducted with the Saybrook Institute in San Francisco and, ultimately, determined its findings by means of the Strauch Scale. Like the Serpentine Dream Theory, the Dragon Trust is interested in divining knowledge of another time by interfacing with the unconscious human dream state. Serpentine describes dragons.

The Saybrook Institute has something of a history in the analysis of psychic visions and dreams. In 1970 Eva Hellstrom (Hellstorm?) posted a notebook consisting of 21 of her reported dreams and 45 of her reported visions - 66 in total - to Stanley Krippner at the Saybrook Institute. The Strauch Scale was applied to these dreams also. The name Eva Hellstrom is qualitively similar, in my mind, to Dr. Inga von Westphalen - the name of one of the scientists in the Southland. Von Westphalen was the one who brought the tempest to the Southland. The tempest was embodied by her son, the Baron von Westphalen, who also symbolized the Beast of Revelations. And so, by the pricking of my thumb, a Hell-storm in the West - has - fallen. Somewhat coincidentally, in Ireland at the moment the entire Shannon River, the largest in Western Europe, is in flood.

The Power of the Gods

This is Officer Roland Taverner experiencing a delay in his reflection, an artifact of his journey through the space-time rift. This scene is similar to the delay observed between the destruction of the towers 1 and 2 on the morning of September 11th 2001. This was first noted in the 9/11 Videodrome post back in August. The Twin Towers are mirror images of each other. Therefore, whatever happens to one tower should happen to the other in real time. Instead we see a delay of 17 minutes. What is the significance of this time lag? 17 minutes is the time light takes to travel from the sun to the earth and back again, during the Autumnal month of September.

Mirrors are of great significance to Masonic Secret Societies. The Ancient Mystery Cults believed the Sun to be a giant mirror reflecting energy from a higher dimension. The Masonic groups involved in the execution of the 9/11 occult ritual needed to intertwine what they were doing with the Sun in order to create the new power centre for world control/domination. That is what the Freedom Tower stands for, the freedom to dominate.

The 9/11 delayed reflection. Click to view larger image.

The delay in Officer Roland Taverner's reflection is connected to the delay in the Twin Tower Masonic ritual. Roland Taverner also has a 'twin brother' in the movie, called Ronald Taverner, who is really another Roland from an hour or more into the future. Roland Taverner is peering backwards in time by a few moments when he looks at his reflection, conversely you could say that the light from the past is traveling into the future. This correlation between Southland Tales and 9/11 suggests that the occult ritual is in some way connected to time travel or more succinctly to parallel dimensions. The realm of Southland Tales is itself a parallel dimension, one in which 9/11 never took place. Officer Roland Taverner is also from another dimension, because his duplicate self from the past never got to go through the time rift. If he wasn't, this would violate the rules of causality and the whole timeline would have to be reset.

So, the question is; What the fuck does parallel dimensions got to do with 9/11? What if, and this is a big if, the planes never went inside the buildings, but instead passed through into another dimension? This would explain why the planes just melted into the steel frame of the buildings. The passengers on the planes, if they survived the jump, would now be in another dimension where the Twin Towers, quite possibly, never even existed. It would also mean that the entire structure of the Twin Towers was engineered as some sort of inter-dimensional gateway with an attractor built somewhere on the other side.

As we know the Twin Towers were over-engineered to protect them from accidental collisions with jet aircraft. Its multitude of vertical support columns made it structurally analogous to a tree. The World Tree Yggdrasil is name given to the corridors that connect the 9 worlds of the multiverse. Roman Polansky's predicted the fall of the Twin Towers in his 1999 film The Ninth Gate, starring Johnny Depp. The Ninth Gate is a dimensional doorway that leads to the throne of the Sleepy World of Helheimr.

There is little in the way of evidence for what I am suggesting. But there are tantalizing clues. One such clue was put forward by Internet-based researcher Jake Kotze who discovered that the World Trade Centre 1,2, and 7 are modeled on The Three Pillars of the Masonic Tracer Board. The three pillars are, in turn, related to the Pyramids at Giza. Kotze noticed that the WTC complex was laid out in the form of the Giza Pyramids while researching their possible connection to stars in Orion's belt.

Height comparison between the Great Pyramid and World Trade Centre 1.

As a young child I had often puzzled over the unusual relationship between the North Tower of the World Trade Centre and the Great Pyramid at Giza, as they appear in Russel Ash's Big Book of Comparisons. In the reproduction above I have highlighted the proportional relationship between the two structures. The red line shows the correlation in height between the Technical Services levels in WTC 1 and the height of the pyramid as it stands today, minus the capstone. The blue line shows the correlation between the level of the roof of the first Sky Lobby and the apex level of the pyramid with its capstone in place. Some theories concerning the structure of the Great Pyramid suggest that it may have something to do with hyper or inter-dimensional travel. The Great Pyramid currently stands at 138.8 metres. Round this figure off and multiply by 3, a number closely associated with pyramids and pyramid building, and you get 417m, the height of the North Tower.

The 11th of September is the date of the Egyptian New Year and the number 9 was sacred to them as it represented the number of Gods in the Ennead. You only need to check the literature to know that any event or ritual, which incorporates as many Egyptian symbols and references as 9/11, is going to open up a inter-dimensional portal to the Land of the Dead where the Power of the Gods resides. What will happen if this gateway has been left open, or at least unlocked?

The Dark Towers

This image below captures two ghostly shadows in the region of where the Twin Towers once stood. It was taken by a group of Irish people who were out "to do the tourist thing," and from what I can tell, it is the genuine article. You can see from the time and date included, as well as from the car and street lamps, that the photo was taken as evening fell. Traditionally, the evening is the time when the boundaries between the worlds are at their thinnest.

What hypothesis can we formulate by way of explanation for this phenomenon? It could be that the shadows are a result of place memory, where by the indelible nature of the towers left an imprint on the place where once they stood. Alternatively, if we except the inter-dimensional gateway hypothesis, then the shadows could be the result of a periodic reopening of this gateway during the twilight hours, or witching hours. The dark shadows in this case are not shadows at all, but areas of transition where a percentage of the light is escaping from our world and being absorbed by matter in another dimension. The higher-dimensional qualities of light, spoken about earlier in this article, would easily facilitate this absorption.

The photograph has many of the hallmarks of an amateur photographer. The camera is probably a modestly priced digital snapshot camera. These tend to need relatively long exposures in low light situations. Camera shake during long exposures is natural and will produce the motion blur visible on the abrupt skyline. What is interesting, and difficult to fake, is the continuation of the blur into the area in question, the shadow. The shadows also exhibit a curved focal distortion prevalent to tall straight objects that is in keeping with the surrounding buildings. I find it hard to believe that an amateur photographer would be aware of these particulars, and so, trust the authenticity of the photograph.